On the cover of Rilke on Black, American author George Pelecanos lauds the work of British author Ken Bruen. I have to say it’s fitting since Pelecanos is my favorite American author and Bruen is my favorite British author. The reason, of course, is quite simple. When it comes to gritty, noir fiction filled with wonderful dialogue, excellent characters and a realistic dose of drugs, sex and violence, these two are the best in the business right now. Rilke on Black is Bruen’s third novel, but since the first two are out of print, for my purposes, we will call this Book No. 1. The story is told in first person by Nick, a massive bouncer short on smarts who lists “Thuggery” as his occupation. We are introduced to Dex, a psychopathic neighbor who gets saved from a beating by Nick, and Lisa, a saucy black woman who Nick picked up in a bar. This odd trio decides to commit a crime and, as one would suspect, things start to unravel in the aftermath. The book is damn entertaining once you get accustomed to Bruen’s unique writing style and the Queen’s English, and my only complaint is that the book is a bit short. (Lisa gets Nick hooked on drugs and he goes into a slide, but things move so quickly it fails to make an impression.) Brevity aside, as Pelecanos says — and I second — if you like realistic crime novels, Bruen is the one to read.